한세피아노
페다고지대학원

회원가입

피아노연주 및 교수법

Piano teaching method

 

 

Agay, D.(1991). Teaching piano: a comprehensive guide and reference book for the instructor. Vol. I & II. Yorktown: Yorktown Music Press

B. R.(2014)Albergo, C. &Reid A.(1993.) Intermediate piano repertoire: a for teaching. Ontario, Guide Canada: Frederick Harris Music Co.

Limited.Alcantara, Pedro de.(2013). Indirect procedures: a musician's guide to the Alexander technique. New York: Oxford University press.

Autexiwe, P.(1992). Beethoven the composer as hero. New York: H. N. Abrams.

Bach, C. P. E.(1995). 올바른 피아노 연주법. 박영수(역) 서울: 예솔.

Badura-Skoda, P.(1993). Interpreting Bach at the keyboard. Oxford: Clarendon Press; New York: Oxford University Press.

Baker-Jordan, M.(2004). Practical piano pedagogy: the definitive text for piano teachers and pedagogy students. Miami, FL: Warner Bros.

Baker-Jordan, M.(2004). Practical piano pedagogy: the definitive text for piano teachers and pedagogy students. Miami, FL: Warner Bros.

Barnard, T.(2006). A practical guide to solo piano music. USA: Meredith Music.

Bar-Niv, R.(2013). The art of piano fingering. North Charleston, SC: Create Space Independent Publishing Platform.

Bastien, J. W.(2006). 성공적인 피아노 교수법. 송지혜(역). 서울: 음악춘추사.

Beethoven, L.v. Kerst, F. &Krehbiel, H. E.(1905). Beethoven: the man and the artist, as revealed in his own words. New York: Dover.

Beethoven, R.v.(2000). 베토벤, 불멸의 편지. 서울: 예담.

Berenson, G.(2002). A symposium for pianists and teachers: strategies to develop the mind and body for optimal performance. Dayton OH: Heritage Music. 

Berman, B.(2008). 피아노연주법. 김혜선(역). 서울: 도서출판 다리.

Bernstein, S.(1993). 자기 발견을 향한 피아노 연습.  백낙정(역). 서울: 음악춘추사.

__________(2006). 피아노 주법의 20가지 포인트. 김영숙(역). 경기:삼호뮤직

Bree, M.(1930). The groundwork of the Leschetitzky method. New York: Schirmer.

Brendel, A.(2016). 알프레드 브렌델 아름다운 불협음계. 홍은정(역) 서울: 한스미디어.

Browr, H. M.(1990). Performance practice music after 1600. New York: Norton.

Bruner,M.(1997). 자유로운 연주를 위한 이상적인 연습방법: 음악 신체 공학. 김민서(역). 서울: 한양대학교.

Camp. M. W.(1995). 피아노 연주법: 교수법 철학. 안미자(역). 서울: 이화여자대학교 출판부.

Chronister, S.(2005). A piano teacher's legacy: selected writings. NJ: The Frances Clark Center for Keyboard Pedagogy.

Clark. F.(1992). Questions and answers: practical solutions and suggestions given to questions. commonly asked by piano teachers. Northfield, Ill: Instrumentalist Co..

Comeau, G.(1995). Comparing Dalcroze, Orff and Kodály: Choosing your approach to teaching music. Ottawa: Company Profile - Canadian Company Capabilities.

__________(2009). Piano pedagogy. New York: Routledge.

Couperin, F.(1995). L'art de toucher le clavecin. Ven Nuys, CA: Alfred Publishing Co.

Dunn, J. P.(1982). 쇼팽의 꾸밈음. 이성균(역). 서울: 음악춘추사.

Dura-Skoda, P.(2007). 바흐 건반악기 음악의 연주와 해석. 김경임(역). 서울: 음악춘추사.

Einstein, A.(2001). 위대한 음악가, 그 위대성. 강해근(역). 서울: 음악세계.

Essays, C.(2001). Alfred brendel on music: collected essays. Chicaga: Alfred brendel on music.

Ferguson, H.(1995). Keyboard duets: from the 16th to the 20th century for one and two pianos: an introduction. New York: Oxford University Press.

Ferguson, H.(1998). 건반음악의 해석. 현재희(역). 서울: 음악춘추사.

Fink, S.(1999). 피아노 테크닉의 완성: 학생, 교사 연주자를 위한 안내서. 조삼진(역).서울: 음악춘추사.

Gerig, R. R.(2007). Famous pianists and their technique. Bloomington, IN: Indiana University Press.

Gillespie, J.(2007). 피아노음악. 김경임(역). 대구: 계명대학교 출판부.

Gordom, S.(1995). Etudes for piano teachers: reflections on the teacher's art. New York: Oxford University Press.

Haddon, E. &Burnard, P.(2016). Creative teaching for creative learning in higher music education. London: An Ashgate Book.

Hinson, M. &Roberts, W.(2013). Piano repertoire guide. Bloomington, IN: Indiana University Press.

___________________(2014). Guide to the pianist's repertoire. Bloomington, IN:  Indiana University Press.

Hinson, M.(1983). Music for more than one piano : an annotated guide. Indiana: Indiana University Press.

_________(2004). 베토벤의 여인들. 서울: 상지원.

_________(1990). The pianist's guide to transcriptions, arrangements, and paraphrases. Indiana: Indiana University Press.

_________(1991). At the piano with women composers. California: Alfred.

_________(1991). Baroque to modern: human in piano music. California: Alfred.

_________(1991). Beethoven:selected easiest sonata movements for piano. California: Alfred.

_________(1991). Masters of Impressionism:a guide to style and interpretation. California: Alfred.

_________(1998). The pianist's bookshelf : a practical guide to books, videos, and other resources. Indiana: Indiana University Press.

_________(2000). The piano in chamber ensemble: an annotated guide. Indiana: Indiana University Press.

_________(2003). Performance practices in baroque keyboard music [videorecording]. California: Alfred.

_________(2007). 슈만, 카니발(Carnival) Op. 9 : 클래식 음악의 해부. 서울: 상지원.

Hofmann, J.(1920). Piano playing with piano questions answered. Cambridge: Faculty Music.

__________(1999). Arran on music and performance. New York: Dover publication, INC.

__________(2010). 피아노 레슨비법 24. 이민숙, 이승경(역). 서울: 예솔.

Holland, S.(1993). Teaching toward tomorrow: A music teachers for using electronic keyboards, computers, and MIDI in the studio. Ohio: Debut music systems.

Howard, F.(2000) 건반 음악의 해석:14세기부터 19세기까지 건반 음악의 해석과 연주법. 현재희(역). 서울: 음악춘추사.

J. Fassina.(2003). 젊은 피아니스트에게 보내는 편지. 황혜전(역). 서울: 이룸.

Jaconson, J. M.(2006). Professional piano teaching : a comprehensive piano pedagogy textbook for teaching elementary-level students. California: Alfred.

_____________(2015). Professional piano teaching: a comprehensive piano pedagogy textbook. California: Alfred.

James, L. &Yvonne, E.(1996). Creative piano teaching. Wisconsin: Hal Leonard Warner Bros. 

Josef, L.(1997). 피아노 주법의 기초. 정진우 외,(역). 서울: 음악춘추사.

Keller, H.(1995). 프레이징과 아티큘레이션. 정화갑(역). 서울: 음악춘추사.

Kochevitsky, G.(1967). The art of piano playing miami. Florida: Summy-Birchard Music.

Last, J.(1995). 영 피아니스트 교수법. 김수경(역). 서울: 음악춘추사.

Mach, E.(1991). Great contemporary pianists speak for themselves. New York: Dover Publication, Inc.

_______(2008). 나의 삶, 나의 음악. 박기호, 김남희(역). 서울: 동문선.

Magrath, J.(1995). The pianist's guide to standard teaching and performance literature. California: Alfred.

Martha, B. J.(2004). Practical piano pedagogy: definitive text for piano teachers and piano students. Warner Brother Publication.

Matthay, T.(2016). Musical interpretation: its laws and principles, and their application in teaching and performing. Boston, Mass: Boston Music.

Neumann, F.(1986). Ornamentation and improvisation in Mozart. Princeton. NJ: Princeton University Press.

Newsam, D. R. &Newsam, D. S.(1995). Making money teaching music. Ohio: Writer's Digest Books.

Philipp, L. H.(1982). Piano technique : tone, touch, phrasing and dynamics. New York: Dover publications, Inc.

Pierce, A.(2007). Deepening musical performance through movement: the theory and practice of embodied interpretation. Bloomington, IN: Indiana University Press.

Ratcliffe, R. V.(2002). Steinway. San Francisco: Chronicle Book.

Richard, B.(1994). Pianist's guide to progressive finger fitness. Maryville, Missouri: Prescott Pub Co. 

Rosen, C.(2004). 피아노 연주에 관한 7가지 테마. 김영숙(역). 경기: 삼호뮤직.

Rosenblum, S. P.(1988). Performance practices in classic piano music: their principles and applications. Bloomington, IN: Indiana University Press.

Sandor, G.(1995). On piano playing. New York: Schirmer.

________ (2006). 온 피아노 플레잉. 김귀현, 김영숙(역). 서울: 음악춘추사.

Schaum, W. & Cupp, J.(1994). Keyboard teaching with greater success and satisfaction. Washington: Schaum publications, Inc.

Schonberg, H. C.(2008). 위대한 피아니스트. 윤미재(역). 경기도: 나남.

Shockley, R. P.(1997). Mapping music: for faster learning and secure memory : a guide for piano teachers and students. madison: A-R edition. Inc. 

Siepmann, J.(1996). The piano. London: Carlton Books.

Spector, I.(1990). Rhythm and life: the work of Emile Jaques-Dalcroze. Stuyvesant, NY: Pendragon Press.

Swinkin, J.(2015). Teaching performance: a philosophy of piano pedagogy. Cham: Springer.

Tsitsaros, C.(2011). Symmetrical warm-ups: Short daily exercises to build flexibility and strength. Milwaukee, WI: Hal Leonard.Uszler, M., Gordon, Stewart,

Smith & Scott McBride(2000). The well-tempered keyboard teacher. Belmont: Shirmer Books.

_________________(2003). 피아노 교수법 최고의 길잡이. 조윤수,최소영(역). 서울: Musicphil Thomson.

Uszler, Marienne. &Frances L.(1984). The piano pedagogy major in the college curriculum: a handbook of information and guidelines. part the undergraduate piano pedagogy major prinston. NJ: The National Conference on Piano Pedagogy. 

Westney, W.(2006). The perfect wrong note: learning to trust your musical self: william westney. Pompton Plains, N.J. : Amadeus Press.

Whiteside, A.(1997). Abby Whiteside on piano playing. Portland, Or: Amadeus Press.

Wilson, F. R.(1987). Tone deaf and all thumbs?: an invitation to music-making. New York: Vintage Books.

Wolff, K.(1996). 피아노 연주의 해석법. 이혜순(역). 서울: 동서음악출판사.

Wright, D. C. H.(2012). The associated board of the royal school of music. Woodbrighe: The Boydell Press. 

가트, J.(1979). 피아노 연주의 테크닉. 노신옥(역). 서울: 음악춘추사.

강충모(2015). 피아니스트 강충모의 Q&A. 서울: 예솔.

구사 다 미쓰 요시(1988). 피아노연주법. 박혜철(역). 서울: 음악춘추사.

김강희, 이순정, 공누이, 형희전(2010). 피아노교수법개론. 서울: 세광음악사.

김성혜(2011). 나도 피아노를 가르칠 수 있다: 피아노 테크닉의 이해. 서울: 서울말씀사. 

김수경(1995). 영 피아니스트 교수법. 서울: 음악춘추사.

김영숙(2005). 피아노 교수법과 예술적 청음. 서울: 음악춘추사. 

_____ (2007). 통합 피아노 교수법과 기초테크닉. 서울: 뮤직트리.

_____ (2007). 통합 피아노 교수법과 음악언어. 서울: 뮤직트리.

_____ (2007). 통합 피아노 교수법과 좋은 리듬감. 서울: 뮤직트리. 

김재희(2007). 연주하며 밝혀 본 작품해석과 표현법. 서울: 작은우리.

루스 슬랜지스커(1983) 피아노음악의창조. 손국임(역). 서울: 음악춘추사.

백낙호, 김성남(1999). 피아노 교수법. 서울: 현대음악출판사.

범영숙(2003). 해설이 있는 피아노 교육. 경기: 삼호뮤직.

_____ (2004). 어머니가 알아야 할 피아노교육 45가지 이야기. 경기: 삼호뮤직.

석문주(2012). 음악과 교수∙학습방법. 파주: 교육과학사.

송정이(2006). 피아노 연주와 교수법. 서울: 음악춘추사.

송지혜(2004). 빠른 스케일의 비밀. 서울: 한국피아노교수법연구소.

신윤희(1999). 피아노 페다고지. 서울: 음악춘추사.

신현수(2005). 악상해석과 표현의 기초. 한국: 소리둥지.

안미자(2007). 피아노 어떻게 배울까. 서울: 이화여자대학교 출판부.

야마하뮤직미디어편집위원회(1997). 피아노를 읽는 책. 서울: 상지원.

오세집(1998). 피아노 교사에게 가장 중요한 것. 서울: 상지원.

유은석(2008). 21세기 교사를 위한 피아노 교수전략. 서울: 학지사.

윤혜경(2004). 엄마 피아노 치기 싫어요. 서울: 울림사.

음악세계 편집부(2003). 피아노 명곡 연주 해석 1. 서울: 음악세계.

_____________(2003). 피아노 명곡 연주 해석 2. 서울: 음악세계.

음악지우사(2000). 피아노 실기 지도법. 서울: 음악세계.

이강숙(2015). 음악 선생님을 위하여: 음악과 교육에 관한 시대를 초월하는 근원적 

질문과 답변. 서울: 예솔.

이노우에 나오유끼(1999). 피아노 주법. 서울: 태림출판사.

이전영(1995). 창조적 피아노교수법. 서울: 예성.

_____ (2008). 21세기 피아노 연주법. 서울: 예성.

이화여자대학교 음악연구소(1998). 개인 및 그룹지도를 위한 피아노 입문. 서울: 이화여자대학교 출판부.

임옥빈(1999). 초견과 암보. 서울: 태림출판사. 

한국오디에이션음악교육연구소(2009). 오디 피아노∙피아노 오디 Ⅰ~Ⅱ. 한국: 큰북작은북㈜.

한국피아노교수법학회편(2005). 한국피아노교수법학회논문집 창간호. 서울: 피아노교수법학회.

 

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