한세피아노
페다고지대학원

회원가입

음악이론

Musical theory

 

Aldwell, E. & Schachter, C.(2002). Harmony and Voice Leading I, II. Thomson Learning.

Barry, W.(1985). Form in Music. New Jersey: Prentice Hall.

__________(1987). Structural Functions in Music. New York: Dover Publications.

Baur, J.(1997). 악곡분석을 통한 음악이론사 1, 2. 박미경(역). 대구: 계명대 학교출판부.

Caplin, W.(2000). Classical Fom: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart and Beethoven. Oxford University Press.

Cedric T.(1966). Musical Structure and Design. New York: Dover Publications.

Forte, A.(1973). The structure of Atonal Music. New Heaven : Yale University Press.

Green, D. (1979). 조성음악의 형식. 박경종(역). 서울: 삼호출판사.

Kostka, S. & Payne, D.(2003). Tonal Harmony, with an Introduction to Twentieth-Century Music. McGraw-Hill.

Lester, J.(1994). Compositional Theory in The Eighteenth Century. Massachusetts: Harvard University Press.

Machilis, J.(1961). Introduction to Contemporary Music. New York: W. W. Norton & Co. INC.

Mann, A. & Fux, J.(1965). The Study of Counterpoint: From Johann Joseph Fux's Gradus Ad Parnassum. New York: W. W. Norton & Company.

Mann, A.(1987). The Study of Fugue. New York: Dover Publications.

Marx, A.B.(2006). Musical Form in the Age of Beethoven. London: Cambridge University Press.

Morris, R.(1987). Composition with Pitch Class. New Haven:Yale University Press.

Perone. J.(1998). Compile. Form and Analysis Theory, A Bibliography. London: Greenwood Press.

Rahn, J.(1980). Basic Atonal Theory. New York: Longman.

Ratner, L.(1980). Classic Music, Expression, Form, and Style. New York: Schirmer Books.

Rosen, C.(1988). Sonata Forms. New York: W. W. Norton & Company.

Stein, L.(1995). 음악형식의 분석연구. 박재열(역). 서울:세광아트.

Straus, J.(1990). Introduction to Post-tonal Theory. New Jersey: Prentice-Hall.

윤양석(1991). 음악형식론. 서울: 세광아트.

이여진(2003). 창작과 분석1, 2, 3. 서울:음악춘추사.

허영한, 한미숙(2012). 조성음악의 구조와 분석. 서울:예솔.

허영한, 한미숙(2014). 조성음악의 형식 분석. 서울:예솔.

송무경(2005). 연주자를 위한 조성음악 분석I, II. 서울:예솔.

 

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